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Dance and Movement Therapy II
Study Course Description
Course Description Statuss:Approved
Course Description Version:12.00
Study Course Accepted:23.08.2024 13:06:32
Study Course Information | |||||||||
Course Code: | VPUPK_010 | LQF level: | Level 7 | ||||||
Credit Points: | 4.00 | ECTS: | 6.00 | ||||||
Branch of Science: | Clinical Medicine; Sports Medicine and Rehabilitation | Target Audience: | Rehabilitation | ||||||
Study Course Supervisor | |||||||||
Course Supervisor: | Kristīne Vende-Kotova | ||||||||
Study Course Implementer | |||||||||
Structural Unit: | Department of Health Psychology and Paedagogy | ||||||||
The Head of Structural Unit: | |||||||||
Contacts: | Riga, 5 J. Asara Street, vppkrsu[pnkts]lv, +37167061587 | ||||||||
Study Course Planning | |||||||||
Full-Time - Semester No.1 | |||||||||
Lectures (count) | 6 | Lecture Length (academic hours) | 2 | Total Contact Hours of Lectures | 12 | ||||
Classes (count) | 6 | Class Length (academic hours) | 2 | Total Contact Hours of Classes | 12 | ||||
Total Contact Hours | 24 | ||||||||
Full-Time - Semester No.2 | |||||||||
Lectures (count) | 6 | Lecture Length (academic hours) | 2 | Total Contact Hours of Lectures | 12 | ||||
Classes (count) | 6 | Class Length (academic hours) | 2 | Total Contact Hours of Classes | 12 | ||||
Total Contact Hours | 24 | ||||||||
Study course description | |||||||||
Preliminary Knowledge: | Individual counselling and psycho-dynamics in arts therapies, Assessment principles and process in arts therapy, Basic principles of arts therapy process for different groups of patients, Dance movement therapy I. | ||||||||
Objective: | To develop MA students' skills to choose and use methods and techniques according to the situation and the specificity of the group of clients/patients, to provide MA students with an opportunity to master dance movement therapy methods and techniques in dealing with different groups of clients/patients, to develop the skills to apply therapeutic interventions and techniques in the therapeutic process appropriately. | ||||||||
Topic Layout (Full-Time) | |||||||||
No. | Topic | Type of Implementation | Number | Venue | |||||
1 | Process and stages of dance movement therapy (DMT) | Lectures | 2.00 | auditorium | |||||
2 | DMT methods and techniques in social rehabilitation | Classes | 2.00 | auditorium | |||||
3 | DMT methods and techniques working with children | Lectures | 2.00 | auditorium | |||||
4 | DMT methods and techniques working with children in psychiatry and rehabilitation. Training of skills | Classes | 2.00 | auditorium | |||||
5 | DMT methods and techniques working with adults in psychiatry and rehabilitation | Lectures | 2.00 | auditorium | |||||
6 | DMT methods and techniques working with adults. | Classes | 2.00 | auditorium | |||||
7 | DMT group process, group development stages | Lectures | 2.00 | auditorium | |||||
8 | DMT methods and techniques for psychiatry patient group | Classes | 2.00 | auditorium | |||||
9 | DMT methods and techniques for group in rehabilitation | Lectures | 2.00 | auditorium | |||||
10 | DMT methods and techniques for group in social rehabilitation | Classes | 2.00 | auditorium | |||||
11 | DMT methods and techniques for group in special education | Lectures | 2.00 | auditorium | |||||
12 | DMT methods and techniques for children and adult groups | Classes | 2.00 | auditorium | |||||
Assessment | |||||||||
Unaided Work: | Independent acquisition of literature (including latest research studies), in order to prepare a presentation about theoretical models in DMT, draw up a plan and conduct a session in a simulation play situation for a group of coursemates about the methods and techniques for a particular group of patients. Completing the course feedback survey. | ||||||||
Assessment Criteria: | 1) Develop a DMT plan for a specific client/patient group in specific stage of the process (20%). 2) Compile DMT methods in writing for one particular client/patient group (20%). 3) Present theoretical principles of DMT for working with a particular patient group, including references to research (20%). 4) Practically conduct one DMT session; the session is filmed (20%). 5) Prepare and submit reflection, analysis of own work on the session (20%) for both – individual and group work. In accordance with Clause I 3.9 of the RSU Study Regulations, attendance at classes is mandatory and is recorded. At the end of each class, the student is required to submit a completed worksheet that meets the criteria specified in the e-environment. If the criteria are met, the student will receive a "pass" grade. | ||||||||
Final Examination (Full-Time): | Exam (Written) | ||||||||
Final Examination (Part-Time): | |||||||||
Learning Outcomes | |||||||||
Knowledge: | Describe and compare various DMT theories and explain the peculiarities of DMT process organisation while dealing with various groups of clients/patients in different stages of process. Describe the specificity of the individual and group DMT process. | ||||||||
Skills: | Choose DMT methods and techniques appropriately for different groups of clients/patients, set DMT aims, develops a DMT strategy that is appropriate to the purpose and difficulties and needs of the client/patient group. MA students apply DMT methods and techniques according to the aim of DMT in a simulation and therapeutic situation, lead the DMT process, analyse DMT dynamics and evaluate the obtained results. MA students can partially execute protocols. MA students demonstrate the skills to establish contact with the client/patient in a simulation situation and develop therapeutic relationships, empathically reflect, adapt, provide client/patient verbal and non-verbal support, facilitate change. | ||||||||
Competencies: | Gain experience in choosing the DMT methods and techniques, leading DMT process in a simulation situation. Demonstrate the abilities to analyse the DMT process, the strengths and weaknesses of their own collaboration with the patient, have experience in self-reflection. | ||||||||
Clinical Skills: | |||||||||
No. | Skill | Level | |||||||
1 | Application of the body language and facial expression in consulting | B2 - Intermediate level | |||||||
2 | Application of voice and speech qualities in consulting | B2 - Intermediate level | |||||||
3 | Asking questions | B2 - Intermediate level | |||||||
4 | Confrontation | B2 - Intermediate level | |||||||
5 | Discrepancies | B2 - Intermediate level | |||||||
6 | Eye contact in consulting | B2 - Intermediate level | |||||||
7 | Eye contact in group counseling | B2 - Intermediate level | |||||||
8 | Encouraging | B2 - Intermediate level | |||||||
9 | Feedback | B2 - Intermediate level | |||||||
10 | Focusing | B2 - Intermediate level | |||||||
11 | Group contract | B2 - Intermediate level | |||||||
12 | Hear key words | B2 - Intermediate level | |||||||
13 | I/ Others noticing statements | B2 - Intermediate level | |||||||
14 | Instruction | B2 - Intermediate level | |||||||
15 | Noticing of body language in counseling | B2 - Intermediate level | |||||||
16 | Noticing of facial expressions in counseling | B2 - Intermediate level | |||||||
17 | Observation in counselling | B2 - Intermediate level | |||||||
18 | Paraphrasing | B2 - Intermediate level | |||||||
19 | Pause of silence | B2 - Intermediate level | |||||||
20 | Professional self-reflection in consulting | B2 - Intermediate level | |||||||
21 | Psychoeducation | B2 - Intermediate level | |||||||
22 | Recommendations | B2 - Intermediate level | |||||||
23 | Self-disclosure in consulting | B2 - Intermediate level | |||||||
24 | Self-help; Self-care | B2 - Intermediate level | |||||||
25 | Structuring the session / consultation | B2 - Intermediate level | |||||||
26 | Summarizing | B2 - Intermediate level | |||||||
Bibliography | |||||||||
No. | Reference | ||||||||
Required Reading | |||||||||
1 | Mārtinsone, K. (Red.) (2011). Mākslu terapija. RaKa: Rīga. (akceptējams izdevums) | ||||||||
2 | Chaiklin, S., & Wengrower, H. (Eds.). (2009). The art and science of dance/movement therapy: Life is dance. New York: Routledge. (akceptējams izdevums) | ||||||||
3 | Payne, H. (Ed.). (2017). Essentials of Dance Movement Psychotherapy: International Perspectives on Theory, Research, and Practice. Taylor & Francis. | ||||||||
4 | Tortora, S. (2006). The Dancing Dialogue: Using the Communicative Power of Movement with Young Children. Paul H.Brookes Publishing (akceptējams izdevums) | ||||||||
5 | Goodill, S. (2005) An introduction to medical dance/movement therapy : health care in motion. London ; Philadelphia : Jessica Kingsley Publishers. | ||||||||
6 | Mārtinsone, K. (Sast.) (2020). Mākslu metodes un tehnikas profesionālajā darbībā. RaKa: Rīga. | ||||||||
7 | Lara, J. (2015). Autism Movement Therapy (R) Method: Waking up the Brain!. Jessica Kingsley Publishers. | ||||||||
8 | Meekums, B. (2002). Dance movement therapy: A creative psychotherapeutic approach. Sage. (akceptējams izdevums) | ||||||||
9 | Karkou, V., & Sanderson, P. (2000). Dance movement therapy in UK education. In: Research in Dance Education, 1(1), 69-86. (akceptējams izdevums) | ||||||||
10 | Lundy, H. 2009. Movement therapy techniques and therapeutic holding with children : study of the effectiveness of dance/movement therapy techniques to augment thereapuetic restraint with children in residential treatment. Saarbrücken : VDM Verlag Dr. Müller | ||||||||
Additional Reading | |||||||||
1 | Karkou, V., Oliver, S., & Lycouris, S. (Eds.). (2017). The Oxford Handbook of Dance and Wellbeing. Oxford University Press. | ||||||||
2 | Karkou, V. and Sanderson, P. (2006). Arts Therapies: A Research-based Map of the Field. Edinburgh: Elsevier. | ||||||||
3 | Arts therapies in schools: Research and practice. Ed. V.Karkou. Jessica Kingsley Publishers. (2010). | ||||||||
4 | Mārtinsone, K., Mihailova, S., et.al. (2008). Mākslu terapija un tās attīstības konteksti (integratīvi eklektiskā pieeja Latvijā). Rīga: RSU. | ||||||||
5 | Halprin, D. (2003). The expressive body in life, art, and therapy: Working with movement, metaphor and meaning. Jessica Kingsley Publishers. | ||||||||
6 | Levy, F. J. (2005). Dance/Movement Therapy. A Healing Art. AAHPERD Publications, PO Box 704, Waldorf, MD 20601. 2nd ed. | ||||||||
7 | Ed. A.Heiderscheit. (2015). Creative arts therapies and clients with eating disorders. London: Jessica Kingsley Publishers. | ||||||||
8 | Eds. Lee, H. & Adams, T. (2011). Creative approaches in dementia care. Houndmills, Basingstoke, Hampshire : Palgrave Macmillan. | ||||||||
Other Information Sources | |||||||||
1 | The Arts in psychotherapy | ||||||||
2 | Body, Movement and Dance in Psychotherapy |